{"created":"2023-05-15T14:25:07.869990+00:00","id":831,"links":{},"metadata":{"_buckets":{"deposit":"11e2fd44-3153-4965-81a3-ccfdc2bbb7db"},"_deposit":{"created_by":2,"id":"831","owners":[2],"pid":{"revision_id":0,"type":"depid","value":"831"},"status":"published"},"_oai":{"id":"oai:iuk-repo.repo.nii.ac.jp:00000831","sets":["13:14","21:28:102"]},"author_link":["1253"],"item_10_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-03-07","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"4","bibliographicPageEnd":"252","bibliographicPageStart":"245","bibliographicVolumeNumber":"17","bibliographic_titles":[{"bibliographic_title":"国際文化学部論集"}]}]},"item_10_creator_2":{"attribute_name":"著者(ヨミ)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"イトウ, アヤ"}],"nameIdentifiers":[{"nameIdentifier":"1253","nameIdentifierScheme":"WEKO"}]}]},"item_10_description_14":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10_description_43":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"論文(Article)","subitem_description_type":"Other"}]},"item_10_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"昨年2016年に没後100年を迎えたドイツ人作曲家マックス・レーガー Max Reger (1873～11916) は，早逝したものの非常に多作で，歌曲だけに限ってみても300曲を超える作品を残している。しかし，同時代に活躍したフーゴー・ヴォルフ Hugo Wolf (1860～1903) ・グスタフ・マーラーGustav Mahler (1860～1911)，リヒャルト・シュトラウス Richard Strauss (1864～1949)，アルノルト・シェーンベルク Arnold Schönberg (1874～1951) らに比べると彼の知名度はあまりにも低く，作品研究も立ち遅れている。とりわけレーガーの歌曲研究は数が少ないうえ，その内実も和声分析程度にとどまっており，通常ドイツ歌1111において重要視される韻律と拍節の関係については，ほとんど考察されていない。このような現状を打破し．レーガー歌曲の本質を具体的に明らかにするために，本研究ではまずレーガー作品の特徴のひとつである｢ユーモア」に注目し分析を進めた。","subitem_description_type":"Other"}]},"item_10_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"鹿児島国際大学国際文化学部"}]},"item_10_source_id_7":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13459929","subitem_source_identifier_type":"ISSN"}]},"item_10_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA11502017","subitem_source_identifier_type":"NCID"}]},"item_10_text_15":{"attribute_name":"形態","attribute_value_mlt":[{"subitem_text_value":"909130 bytes"}]},"item_10_text_44":{"attribute_name":"資源タイプ・ローカル","attribute_value_mlt":[{"subitem_text_value":"紀要論文"}]},"item_10_text_45":{"attribute_name":"資源タイプ・NII","attribute_value_mlt":[{"subitem_text_value":"Departmental Bulletin Paper"}]},"item_10_text_46":{"attribute_name":"資源タイプ・DCMI","attribute_value_mlt":[{"subitem_text_value":"text"}]},"item_10_text_47":{"attribute_name":"資源タイプ・ローカル表示コード","attribute_value_mlt":[{"subitem_text_value":"02"}]},"item_10_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"伊藤, 綾"},{"creatorName":"Ito, Aya","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"1253","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-10-17"}],"displaytype":"detail","filename":"13459929_v17_4_Ito.pdf","filesize":[{"value":"909.1 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"13459929_v17_4_Ito.pdf","url":"https://iuk-repo.repo.nii.ac.jp/record/831/files/13459929_v17_4_Ito.pdf"},"version_id":"e984e376-2c31-4c6e-b7df-b45e2e5531c4"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"マックス・レーガー歌曲の統辞論的研究 : 韻律と拍節の関係にみるユーモア","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"マックス・レーガー歌曲の統辞論的研究 : 韻律と拍節の関係にみるユーモア"},{"subitem_title":"A syntactic study of Max Reger's songs : houmor by the poetic and musical meter","subitem_title_language":"en"}]},"item_type_id":"10","owner":"2","path":["14","102"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-04-20"},"publish_date":"2017-04-20","publish_status":"0","recid":"831","relation_version_is_last":true,"title":["マックス・レーガー歌曲の統辞論的研究 : 韻律と拍節の関係にみるユーモア"],"weko_creator_id":"2","weko_shared_id":2},"updated":"2023-05-15T14:46:11.794321+00:00"}